Along the militarized border between Finland and Russia, in the silence of the winter snow, grandfather and grandson hunt for an invisible enemy. This is ‘Tundra’ the latest film from the award-winning filmmaker Mike Montagna.
We chatted with Mike to talk about the movies journey which was a joint Italian-Finnish production, entirely filmed along the snow-covered militarized border between Finland and Russia.
Welcome Mike, can you tell us about ‘Tundra’.
Yes, this film chronicles the journey of a grandfather and his grandson, both hunters trekking through a snow-blanketed wilderness with their rifles, seeking their quarry. The film is marked by its minimal use of dialogue, relying instead on the ambient sounds of crunching snow underfoot and the profound silences that speak volumes between the two. Isolated at the fringe of the forest, they are the only human figures in this desolate expanse, with no other dwellings or people in sight. Their interactions are pared down to the basics: a quick, modest meal, the intricate routine of gearing up against the cold, and the hushed, tense wait in their hideout for an unseen foe.
‘Tundra’ delves into themes of isolation and survival, highlighting the profound bond between a grandfather and his grandson as they navigate a snow-covered wilderness. Their minimal dialogue emphasizes the significance of non-verbal communication and the deep connection they share with each other and their harsh environment. The film also explores the anticipation and patience required in their hunt, reflecting the slow, deliberate pace of life in such a desolate setting. Through its sparse narrative and evocative use of sound, the film poignantly portrays the complexities of human relationships and the enduring link between humans and nature.
In the current social context, the film serves as a poignant reminder of the human impact of geopolitical divisions, and the resilience required to maintain bonds and traditions in the face of such challenges. It encourages viewers to consider the silent struggles and unspoken connections that persist in the shadow of political conflicts, and the ways in which individuals find meaning and solidarity amidst the stark realities of their environment.
What was it like filming on a militarized border?
Filming on a militarized border adds a layer of tension and realism to the narrative; this choice of location underscores the themes of isolation and survival, as the characters navigate not only the harsh natural environment but also the invisible boundaries imposed by political conflicts. The backdrop of the Finland-Russia border, with its historical and contemporary significance, enhances the film’s exploration of the human condition in extreme circumstances.
What was it like to be a Producer on this film?
As the producer of ‘Tundra’, I’ve had the honor to work closely with Andrea Borgo, the writer and director who leads Axland, the Italian production company responsible for the project. Despite being unable to join the on-location shoot in the remote northern regions of Finland, due to prior commitments in the USA, my role in pre-production was instrumental. I collaborated extensively with Andrea on script refinement, casting choices, location scouting, and ensuring all logistical details were meticulously planned and executed. In postproduction, I oversaw the editing process, sound design, and color grading to meticulously align with Andrea’s creative vision and enhance the film’s portrayal of isolation, survival, and the deep relationship between the grandfather and grandson characters. Through continuous communication and strategic coordination with Andrea and the on-location team, I ensured that Axland’s dedication to delivering a powerful and cohesive narrative was maintained throughout every stage of production.
How did you get involved?
I became involved in the project through my connection with Andrea Borgo – writer and director of ‘Tundra’ whom I know from our time studying film production together at IULM University in Milan. Andrea approached me with the opportunity to collaborate on this film, leveraging my production expertise despite my concurrent commitments in the USA. I was drawn to Andrea’s visionary approach and his ability to blend creativity with practicality, honed through our shared academic background and his leadership at Axland, his production company. This collaboration allowed us to merge our skills and passion for storytelling, ensuring that Andrea’s artistic vision was meticulously realized in the film’s production and post-production phases.
How can we see the movie?
We are proud to announce that ‘Tundra’ is the finalist at the 22nd Edition of the Ischia Film Festival in Italy where it will kick off its festival journey with a bang! The film will be available for viewing once it concludes. If you’re eager, you’re all invited to the next screenings at upcoming (hopefully) official selections around the world!
That’s incredible! Congratulations to you and the films team. How can people keep up with you online?
