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Bad Cinderella: The First Single From Andrew Lloyd Webber’s New Musical ‘Cinderella’

Polydor Records/UMe

Eva Semel by Eva Semel
October 30, 2020
in Entertainment
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Bad Cinderella: The First Single From Andrew Lloyd Webber’s New Musical ‘Cinderella’

© Polydor/UMe

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Polydor Records/UMe has announced the forthcoming release of Andrew Lloyd Webber’s Cinderella: The Musical (Original London Cast Recording). The album features cast from the highly anticipated new theatre production, which was originally meant to have opened in October 2020, along with appearances from some surprise guest vocalists.

Andrew said, “50 years ago I couldn’t get Jesus Christ Superstar on stage as nobody wanted to produce it, so it appeared on record first. It’s so strange to find history repeating itself half a century later with the album of the complete score of my new Cinderella. I can’t get Cinderella on stage because I’m not allowed to, so I have gone back to my roots and recorded the album first.”

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Recording for began in March 2020 and continued through lockdown with Andrew recording artists remotely and producing the majority of the score from his home. Once it was feasible, the recording process proceeded via socially distanced studio sessions in London.

The first song from the album is “Bad Cinderella” performed by Carrie Hope Fletcher, who will star as Cinderella in the production which is due to open in London’s West End Spring 2021. “Bad Cinderella” launches across all DSPs today, here.

“Bad Cinderella” is the first original material to be released by Andrew Lloyd Webber in five years, since School of Rock The Musical launched in 2015. It follows his personally curated compilation, Unmasked: The Platinum Collection in 2018 which featured performances from a diverse range of artists including Lana Del Rey, Beyoncé, Gregory Porter, Barbra Streisand, Michael Ball and many more.

Cinderella will open at the Gillian Lynne Theatre on Wednesday, May 19, 2021, with previews from Friday, April 30, 2021. Ticket holders will be contacted individually to rearrange their plans and further information is available here.

The production, a complete reinvention of the classic fairytale, is based on an original idea by Emerald Fennell, the Emmy® Award-nominated lead scriptwriter of the second season of international smash hit Killing Eve, with a brand new score from the legendary composer and lyrics by David Zippel.

Fennell’s new film A Promising Young Woman, that she wrote and directed and which stars Carey Mulligan, will open this Autumn. As an actress she played Patsy Mount on the BBC’s Call The Midwife and currently depicts Camilla Parker Bowles on the Netflix hit The Crown.

The show’s lyrics are by David Zippel, a multi-award winner for Broadway productions including City of Angels for which he won the Tony Award® for Best Score, The Goodbye Girl, The Woman in White and Liza at the Palace, as well as for work on film including Disney’s Hercules and Mulan, both of which received Oscar® nominations.

Cinderella will reunite Andrew Lloyd Webber with director Laurence Connor and choreographer JoAnn M Hunter, who previously worked on the Olivier Award winning international hit School of Rock and the recent, sold-out production of Joseph & the Amazing Technicolor Dreamcoat at The London Palladium, which returns to the venue in Summer 2021.

Carrie Hope Fletcher will play Cinderella in the eagerly awaited new production at the Gillian Lynne Theatre. She has starred in Heathers (Theatre Royal Haymarket), The Addams Family (UK Tour), Chitty Chitty Bang Bang (UK Tour), Mary Poppins (Prince Edward Theatre), and most recently played Fantine in Les Miserables at the Sondheim Theatre. She is also a bestselling author and social media personality.

Cinderella will also star Victoria Hamilton-Barritt as the Stepmother. All further creative team and cast announcements regarding Cinderella will be made at a later date.

Ahead of Cinderella’s arrival at the Gillian Lynne Theatre, LW Theatres are carrying out internal upgrade work to the building including the addition of more toilets and refurbishment to areas of the auditorium and Front of House, as well as adopting measures to welcome back audiences safely as soon as restrictions allow. These measures are currently being trialled at The London Palladium and will be rolled out across LW Theatres.

Eva Semel

Eva Semel

Assistant Managing Editor

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