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Kristian Poppe, Marty Hom, and Others: Excellent Tour Managers That You Should Know About

D’Arcy Sardone by D’Arcy Sardone
May 1, 2025
in Entertainment
A A
Tour manager Kristian Poppe

Tour manager Kristian Poppe

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Behind each legendary concert and glitch-free tour is the experience of a seasoned tour manager—usually the behind-the-scenes hero who keeps the show going. They navigate logistics, finances, and crises while allowing artists to concentrate on providing electrifying performances. From negotiating promoters to dealing with last-minute crises, their job requires equal amounts of precision, flexibility, and diplomacy. The most admired individuals in this line of work have set the industry alight with their creative solutions, transforming frenetic road life into finely tuned machines. Their impact goes far beyond timetables and spreadsheets; they become confidants, creative partners, and even cultural ambassadors overseas. This article honors some of the greatest tour managers whose labor has reshaped live music. The industry’s best in the business represent the perfect balance of art and logistics needed to succeed in this high-stakes game.

From navigating multi-continent tours to coordinating massive spectacles, their problem-solving skills set the industry standard. In the meantime, veteran pros and up-and-comers alike show that success depends on resilience, humility, and an unyielding commitment to collaboration. These managers don’t merely implement plans—they bring artists’ visions to life, making ambitious ideas into realities. As we shine a light on their careers, we reveal the discipline, imagination, and plain tenacity that make them essential to the world’s largest acts.

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  1. Kristian Poppe

Tours: Lorna Shore (USA), Thy Art Is Murder (AUS), Caliban (GER), Monster Truck (CAN)

With more than 17 years of experience across four continents, Kristian Poppe has become a byword for precision and flexibility in tour management. Starting within Germany’s hardcore metal underground, he learned his trade booking such acts as WFAHM and Long Distance Calling, where his talent for creating order out of chaos gained him instant recognition. Poppe’s career-defining stint with Caliban (2010–2017) fell exactly when the band was explosively breaking around the world. By cutting middlemen and working directly with promoters, he rationalized operations while trailblazing fan-oriented strategies such as meet-and-greets, cementing Caliban’s global fan base. Poppe’s work with Thy Art Is Murder is a prime example of his skill at developing alongside artists. As the band moved from Australian underground legends to festival headliners, he grew their technical crew to incorporate specialized lighting, sound, and video technicians to make sure their frenetic live shows kept pace with their rising ambitions. His forward-thinking tactics—such as pre-production days spent testing equipment and real-time mobile apps for crew management—became the norm. Since he joined Lorna Shore in 2023 as Production Manager, Poppe has raised the live performances of the band with battlefield-grade logistics.  He has instituted strict pre-tour checks with venues and promoters, drawn up detailed technical specifications, and added rehearsal days to incorporate sophisticated staging and special effects.

A career-defining moment was in Prague, when low ceilings in a basement club prompted him to rethink the lighting rig and repurpose on-site cryo jets, producing an upside-down effect that galvanized the audience.

Poppe’s crisis management skills are most evident in high-pressure situations, like defusing a payment dispute in Sicily through calmly negotiating with a recalcitrant promoter. His hands-on style carries over to cultural diplomacy: with Monster Truck, he established trust in emerging markets by working directly with local crews, adapting smoothly to regional subtleties. Peers praise his balance of discipline and creativity, whether adjusting sound systems for acoustically difficult venues or building long-term artist relationships. To Poppe, managing tours is more than logistics—translating a performer’s vision into reality, a perfectly planned encore at a time.

  1. Elliot Saltzman

Tours: Trans-Siberian Orchestra • Joan Jett & The Blackhearts

Elliot Saltzman, who serves as Touring & Production Director for Trans-Siberian Orchestra (TSO), is a giant among live music logistical geniuses. Since 1999, he has produced TSO’s elaborate productions, fusing pyro, lasers, and orchestral rock on multi-city tours.

Saltzman started his career in 1974 working with Montreal’s Mahogany Rush, but forever ingratiated himself to the music world by turning TSO into a touring behemoth. Charged with making every year’s production “bigger and better,” he directs hundreds of crew and several touring units, trading on artistry with military expertise.

Known for his problem-solving grit, Saltzman navigated pre-digital challenges using pencil-and-calculator budgets, later embracing tech without losing his hands-on ethos. His wildest tales include evading police helicopters after a rogue plane stunt at Cal Jam and surviving chaotic tours with Humble Pie. A mentor to many, he advises aspiring managers to “learn every aspect of touring—no shortcuts.”

  1. Marty Hom

Tours: Fleetwood Mac • Barbra Streisand • Shakira

Pollstar Hall of Famer Marty Hom has structured tours for music royalty for over four decades. Beginning with Bill Withers’ 1985 tour, Hom became a logistics master in the pre-digital age, when payphones and fax machines were the norm. His mantra relies on bringing aboard the best and giving them their head: “Let great people do their jobs,” he quotes. Hom’s attention to detail and level head have made him invaluable to the likes of Fleetwood Mac and Barbra Streisand. In addition to touring, he co-produces MusiCares’ flagship gala, pushing for crew equity and fairness. A “kid from Sacramento” by his own description, Hom is still grounded by his rise, attributing success to determination and a straightforward mantra: “Feed your team well.”

  1. Cez Darke

Tours: Shawn Mendes

Cez Darke’s ascension from riding around Europe in a battered van with Tom Baxter to running Shawn Mendes’ world tours is a testament to determination.

Beginning as Deep Purple’s Jon Lord’s assistant, Darke cut his teeth in the trenches.

Currently running Mendes’ carefully stage-managed shows, he puts crew camaraderie first: “It’s the people that make it,” he says.

Darke’s cool under fire and hands-on approach—getting there early, solving problems in advance—have made him the reputation he has. His recommendations to newcomers? “Start local, work hard, and never complain.”

  1. Zack McGuinness

Tours: Travis Scott • Jay-Z/Beyoncé • Frank Ocean

Zack McGuinness made the jump from finance to tour management through Kanye West’s “Saint Pablo Tour,” establishing himself soon as a go-to for high-energy productions. The mastermind behind Travis Scott’s “Astroworld” extravaganza, McGuinness lives off flexibility: “Every artist wants something unique,” he observes. His skill in reconciling artistic aspiration with logistical sense has led to opportunities with Beyoncé and Frank Ocean. In spite of the gypsy lifestyle, he enjoys catching fans off guard with upgrades and declares, “No task is beneath you.”

The tour management world is a high-risk business where only the most committed succeed, and the professionals in these pages have left their mark on the business. From battlefield organization to pyro-fueled extravaganzas, their accounts uncover the craftsmanship behind the chaos of touring. Years of insight, grassroots grit, and resilience demonstrate that greatness is achieved through tireless dedication and passion.

Their careers remind us that tour managers are not only organizers, they’re visionaries who close the gap between artist and fan.

Whether soothing fights, experimenting with fan experience, or teaching the next generation, their influence resonates long past the encore. For would-be managers, their counsel is applicable: begin small, remain humble, and greet every challenge. Ultimately, it’s not about getting the band from point A to point B—it’s about making memories that fans (and artists) will never forget.

D’Arcy Sardone

D’Arcy Sardone

Culture Editor

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