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Why the Publishing Industry Needs More Programs Like ‘Review It’ by Edioak – And Why Aspiring Editors Should Take Notice

D’Arcy Sardone by D’Arcy Sardone
April 23, 2025
in Arts
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For years, the publishing industry has been plagued by high barriers to entry—expensive degrees, unpaid internships, and the ever-present requirement of “prior experience.” This has created a closed loop where only those with the right connections or financial backing get a chance to build a career in editing.

But what if there was another way?

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Enter ‘Review It’ by Edioak—a free, global mentorship program that has already given 5,500+ aspiring editors from 30+ countries a real shot at breaking into the industry. And yet, despite its success, programs like this remain rare. Why aren’t there more initiatives that prioritize talent over privilege? And what does this mean for the future of publishing?

The Traditional Path to Editing: A System That Favors the Privileged

Let’s talk about how most editors start their careers. Traditionally, the “pathway” into publishing involves:

  • Expensive Education: A degree in English, Literature, or Journalism—often costing tens of thousands of dollars. According to a report by the U.S. Department of Education, the average cost of a four-year degree in these fields is upwards of $40,000.
  • Unpaid or Low-Paid Internships: Many publishing houses expect editors to “prove themselves” before they’re offered real work, with some internships paying as little as $0 to $10 an hour in major publishing hubs like New York and London.
  • Networking & Insider Connections: Studies have shown that over 70% of publishing job placements come from networking rather than open applications, making it difficult for those without industry contacts to enter the field.

This means that talented editors without financial backing are often left without a way in. They have the skills, the passion, and the drive—but without access to the right opportunities, their talent goes unnoticed.

‘Review It’ and the Fight for Equal Opportunity in Publishing

Review It is turning this system on its head. Here’s why it stands out:

✅ Free and Accessible: No tuition, no hidden fees—just pure skill-based training.
✅ Real-World Learning: Participants work on live projects, not just theoretical exercises.
✅ Industry Recognition: Top performers land internships with publishing houses, making career growth a reality.
✅ Mentorship at Scale: With guest speakers, live training, and industry exposure, participants gain insights they wouldn’t find in a classroom.

And the results speak for themselves. Many Review It graduates have already landed freelance gigs, job offers, and direct placements in the publishing industry.

So, why aren’t more publishing houses embracing initiatives like this?

To reach even more aspiring editors, Edioak launched a streamlined online course on Udemy: “Book Editing Masterclass with Live Practicals.” Though it’s a mini version of the full mentorship, it’s become a bestseller with over 4,500 learners worldwide—proving that affordable, skills-based training is not only possible but in high demand.

Why Aren’t There More Programs Like ‘Review It’?

Despite the proven success of mentorship-driven programs, most publishing houses still rely on outdated hiring models. Here are a few reasons why:

📌 Cost & Resources: Developing an in-house training program requires funding, time, and personnel—many companies choose to hire “job-ready” candidates rather than invest in training.

📌 Lack of Awareness: Many hiring managers still equate a degree with competence, ignoring the fact that real-world experience is often a better indicator of success.

📌 Gatekeeping Mentality: Publishing, much like other creative industries, has historically been elitist, with hiring practices favoring a select group of insiders.

However, companies that fail to adapt risk losing out on fresh, diverse talent that can push the industry forward.

What Happens If We Don’t Create More Initiatives Like This?

If programs like Review It don’t become the norm, the publishing industry will continue to lose out on fresh talent. Without access to real-world experience, many potential editors will give up on their dreams before they even begin.

And that’s not just bad for aspiring editors—it’s bad for the industry. Great books need great editors. Without new voices in the editing space, we risk limiting the diversity of thought, storytelling, and perspectives in published works. A study by the Lee & Low Diversity Baseline Survey found that over 76% of the publishing workforce is white, highlighting the need for greater accessibility and inclusion in hiring practices.

The Publishing Industry Needs to Take Note

It’s time for publishing houses, literary agencies, and industry leaders to recognize the value of mentorship-based training programs. Instead of relying solely on traditional degrees, companies should:

📌 Partner with initiatives like Review It to identify new talent.
📌 Create more structured internship-to-job pipelines that prioritize skill over academic background.
📌 Make editorial training accessible to those who don’t have the financial means to pay for expensive programs.
📌 Look at success stories from alternative hiring models, such as tech and creative industries, which have embraced bootcamps and mentorship-driven recruitment.

Final Thoughts: The Future Belongs to Those Who Adapt

Review It has proven that when given the chance, talent will rise—regardless of background, finances, or prior experience. It’s time for the industry to take notice and take action.

Publishing houses that invest in accessible training and mentorship programs will be the ones shaping the future of literature and storytelling. Those that continue to rely on outdated hiring practices may find themselves struggling to attract and retain fresh editorial talent.

For aspiring editors, programs like this are a golden opportunity. If you’re serious about breaking into the industry, don’t wait for doors to open—go find the ones that are already open.

And if the industry wants to thrive, it’s time for them to start opening more doors.

D’Arcy Sardone

D’Arcy Sardone

Culture Editor

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